… The Cones of Origin is of a simpler contemplative scene, one that evokes two worlds beginning, meeting and ending. We note that the two sides do not yet collide or mesh. In this still-frame, they will always almost form a mixture. Therefore, what we have here is the beginning of the beginning, a first juxtaposition that precedes an illustrious collage. A desire to be fundamental. Preserved in its desire for resolution.
Jimmy Raskin, Cones of Origin - a brief history